The only thing I’m looking forward to in exam period (other than finishing) is my final performance as part of the Selwyn Ballet. On Saturday June 13th the 40-odd ballerinas - all fresher boys, plus two second years in the form of myself and Willy Sams as the leads - will perform at Carisbrook as pre-match entertainment for the All Blacks v France test. The 2009 ballet has performed 11 times so far - ten times in front of 400 people at the university capping show, and most recently in front of 4000 at a netball match in Invercargill. However the rugby performance represents a step up; our pirouettes and leaps will now be on show for 28,000 rugby fans, and potentially a global television audience. Last year we performed on the field as the All Blacks and Springboks warmed up all around us. There’s one classic photo in particular of us going through our routine, with Dan Carter practising his punts in the bottom corner. And from our dressing room in the stadium last time around we could watch the captains perform the coin toss metres away, just before kick off. So it promises to be an exciting night, especially if the ABs can get a win - something they didn’t manage last year.
However the ballet is primarily choreographed and put together for the capping show, and in this sense it has special meaning for me this year. Exactly 70 years ago, my great-uncle George Rolleston (Selwyn 1935-1939) was in charge of organising Selwyn’s contribution to the capping show, a task which I’ve been able to assist Willy with this year. While the 81-year old ballet may be similar in some sense to how it was back then, I think a lot of other things in Selwyn have clearly changed a fair bit. In his memoirs George praised the Warden at the time, Archdeacon L.G. Whitehead, for being liberal enough to allow wines and ales in the college, and even letting the male residents of the college entertain girlfriends for afternoon tea on Sundays. With the college now co-ed it’s fair to say that Dr Clark evidently doesn’t have the same sort of control over interactions between members of the opposite sex (or wine and ale consumption for that matter) and quite frankly I think that’s for the best. The girls might still not be allowed in the ballet - after all, they’d show us boys up - but I can’t quite imagine what Selwyn would be like without any females at all.